Beta Exhibition

I’m toying with the idea of creating an online sound installation. I’m not experienced at embedding sound files in html documents, so if anyone wishes to check out my first draft, without the actual sounds that I’m going to use, follow this link. Any input would be appreciated. And yes, I’ve changed the gender of the title–a conceptual decision that I may toss out.

Anyway, here’s a description of the installation as proposed a few years ago:

I wish to create a charged space in which the viewer may investigate his/her reactions to an overwhelming masculine presence. The space may be reminiscent of a prison environment – a common setting in gay pornography. A French slang term for orgasm, “petite mort,” is translated literally to mean “little death.” The installation suggests a multiplicity of interpretations: a record of the lives wasted in jail cells; the last exhausted breaths of men waiting to die; the heavy breathing of a rapist; or the sounds of men having orgasms.

Masculinity here is reduced to a basic component. There are no signifiers of gender other than the hint of a voice behind the breath – no clothes, no genitals, no bodies; no representations or stereotypes. I wish to investigate the images of masculinity that are embedded in our culture and unconscious life. The only image the viewer will experience is the one which is created in the mind after hearing the breathing and reading the title.

In all of my work, I try to evoke a response that is not verbal, but visceral. I believe that we all share a language of images and sounds that call forth specific meanings in each of us. It is this language that I use to solicit a response.

Larry, Merce and Alex

This week I saw an incredible show by Larry Sultan, my former teacher, at Stephen Wirtz.  Larry’s known for a very sensitive and intimate body of work in which he photographed his aging parents in their affluent suburban retirement.  His recent work consists of large-scale photos taken on porn sets, also in suburban southern California.  Unlike Ken Probst, whose images of gay porn sets include both the central action and the peripheral activity of cameramen, lighting guys, etc…, Larry focuses soley on the activity surrounding the shoot.  Occasionally you’ll see a leg sticking in the air, or a tumble of indistinguishable body parts half-seen through a rose bush.  My favorite image is almost like a Cartier-Bresson in its capture of the decisive moment.  A woman in a slightly-parted loose-fitting robe revealing a bare leg and enormous high heel strolls off a set,3 dogs groveling at her feet.  The form of each dog mimics the curve of her heel, their asses high in the air, simultaneously begging and offering.

Last night I and Alex saw the Merce Cunningham Dance Troupe at Zellerbach.  One piece, How to Pass, Kick, Fall and Run, from 1965, was accompanied by a composition by John Cage consisting of two voices, Merce Cunnigham and David Vaughan, reading short very droll pieces about domestic life, at alternating speeds.  At times, one story was very clearly heard, at other times, the words blended together into just sounds.  While it was great to see and hear an icon of 20th century art, the first piece, though, Pictures, was pure magic, with various groups of dancers alternately moving around each other and then freezing into very sculptural tableaux.

Alex and I rode in the last car of the last BART train, but were unlucky in securing any company other than ourselves for the ride back to the city.

Internet, Dinner at 5 for 6

The top keywords used this week in search engines to gain access to my website…

“butt of a famous male sculpture” (a?)
“photographs of female erogenous zones” (This person must have been very disappointed)
“hirsute female form” (is there a She-bear community?)
“photos of the human buttocks” (No sales, alas)
“symplegades” (! Yay! )
“furry male gallery bear” (my kind of dude!)

This week my site was visited by 12 surfers from the United Arab Emirates and 15 from Saudi Arabia, and 1 using the old Arpanet. An overwhelming majority of visitors enjoyed my website and art work for 0 to 10 seconds.

Other internet news…. I’ve completely, well, somewhat, updated the Marjorie Wood Gallery pages. I’ve discovered the animated gif, and am now freed from the constraints of static content!

The Daves of Sydney arrive in San Francisco this week. Big Chrissy and I are having the Chris Pratts up to celebrate the Daves’ temporary return to the fold, to grieve Chris and Dan’s impending departure to the Great Pacific Northwest, and to enjoy a dinner for 6 people and 3 names–Chris, Dan, and Dave. What to make! I’m thinking of braised duck legs with onions and cabbage, fennel and mushroom salad (with white truffles), and poached pears with burnt caramel and ice cream for dessert. Or hotodogs for Superbowl Sunday?

Michelle, Our Belle

Last night I attended a performance by Michelle Rollman, David Johnston, and Philip Horvitz, at New Langton Arts. The piece was presented in conjunction with Michelle’s stunning exhibition, Dark Horse. Michelle is a very dear old buddy of mine who, along with everyone else except me, moved to New York about five years ago. About a year after she moved there, she came back to SF for a visit and came to my house for dinner, and casually showed me pictures of her new life in New York–a dude in a dress (“That’s Dana, my boyfriend”), and herself with a saddle on her back, hooves, and a bit in her mouth. It was all too much, “What has New York done to my little Michelley belly?!?!” I finally blurted out, tears welling in my eyes. Evidentally, she’s into “pony play.” Her performance last night was an autobiographical song and dance extravaganza called Velvet, which delved into the nature of her relation to the horse, the death of her own horse when a child, and Elizabeth Taylor’s National Velvet. The piece culminated in Philip mounting Michelle in her full horsey regalia and riding her across the stage. The sounds of her clomping and whinnying sent shivers through the entire audience.

The Marjorie Wood Gallery

BC and I have been working on a project called the MARJORIE WOOD GALLERY. Remember the Barbara bel Geddes character, Midge, in Hitchcock’s Vertigo? Her full name is Marjorie Wood. This is the online art gallery that she started years after the events depicted in the film. I’m curating (as Midge) and designing the site, and Chris is to manage the business end of it. This is my first attempt at implementing my own web design, so any feedback on ease of use, design, etc is welcomed and appreciated. We haven’t officially launched, but most of the site is viewable, so check it out.

Smooth Nude Chris

According to the latest Urchin statistics for my website, these are the top keywords typed into search engines to find my site…

1. smooth nude chris
2. nude male bodies
3. beauty of grids
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5. male pubic hair obsession
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30. chris komater photography
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Two Saints, Godard, Work and a New Haircut

Überbearpornstar Jack Radcliffe gave me a big sweaty hug at the Castro Street Street fair on Sunday last. The crowd parted and the sun revealed his dazzling smile and outstretched arms. He’ll always be a Bellini saint to me. I spent the following Thursday evening with a less-hairy and more-than-likely less-hung saint, Messaien’s Saint Francois d’Assise at the SF Opera, which aside from being melodically challenging and brilliantly staged, Neue Sachlichkeit meets the Franciscans, and five hours long, introduced me to the ondes martenot, an electronic instrument dating from 1928 similar to the theremin, but with fixed notes and a keyboard, which Stravinsky described as “the musical equivalent of a colonoscopy.” I’m not sure that I would agree with Stravinsky, unless he thought colonoscopies were stimulating fabulous experiences. Seeing the opera in San Francisco is so much more comfortable than what I imagine the experience to be like in other big cities. First of all, you could wear a t-shirt, or khakis after Labor Day, or a pink tuxedo and nobody notices, not even the society people, who all wore black, as they don’t deviate from what’s expected of them seasonally, and would anything they say about me get back to me anyway? Their little world is very closed and their behavior very apelike–all posturing and preening and feral. I was very hot, as in sweating like a pig, in my Dolce & Gabbana chartreuse velvet suit. (80% off at Wilkes Bashford.) I am definitely dressing like the little dude in line at the bar downstairs next time and going for the t-shirt and gap khakis look. I’m sure that all of us non-society people who saw him thought the same thing–forget this velvet designer crap, I’m wearing my underwear next time! The opera was pretty stunning, with a rotating stage consisting mainly of an S-shaped ramp with a detachable snow-covering which hovered a few feet over it in the winter scene. On either side of the stage was a 3-level open tower, out of the second floor of one a blue angel with one wing appeared cantilevered over the stage below.

Last night I saw Godard’s new film, In Praise of Love, which I can’t honestly say I liked or not. I and the audience (all 5 of us) slept through half of it. I think I’d like to see it again, for what I did see seemed intriguing–a film about a director making a film about the four stages of love, and the obstacles that frustrate creativity. The first half was black and white, and looked exactly like a new wave film from the early 60’s, but not self-consciously. The second half was filmed in digital video, but that’s where I got lost in slumberland, so not much else to say about it. There did seem to be no joy, and a lot of anti-American sentiment which, while a necessary plot device, left me feeling slightly battered.

His Contempt is still one of my favorite films.

Today at work I set up an e-mail account for my boss’ friend, who is traveling to Bali next week for a month. She runs a travel service offering scuba tours of Indonesia. She’s currently her only client. She and the boss have property in Panama and are planning on building a house together. Their joint ventures remind me of Bob’s parents’ 2 big investments; Israeli oil and California City. After his parents’ Israeli oil stock became worthless, it was discovered that their property in California City couldn’t be developed because of the desert tortoise.

Yesterday I got my hair cut by the same barber who sexually harassed me a few haircuts ago. (Little Dave calls him “Big Red.”) He’s purchased the shop down the street from me and is going to make it into the haircutting equivalent of the Starbucks on 18th Street. A bear barbershop. His demeanor was disappointingly subdued, but he did shave my neck with a straight razor. Hot!