The Dating Game: Florida and My Mister Roberts

Last week I was in Florida, visiting my sisters with my brother and his family. My parents also drove down from Alabama, and we rented a beach house on Indian Shores. The trip this time was very mellow, just hanging out on the beach and with each other, eating grouper sandwiches, bitching about our siblings, building sand castles. And then along came this dreamy bipedal humanoid cryptid whom we shall call Mr. Roberts. Mr. Roberts and I had been conversing online for several months, but having seen only one picture of his fur-ensconced upper half, I had no reason to believe that such a creature could actually exist outside of a fetishist’s CGI enhanced imagination. He lives a few hours away from my sisters, and drove over to spend a day on the beach with me and my family. He was indeed real, and as hairy as his photo suggested, no CGI enhancement necessary. I couldn’t keep my hands off of him, for in addition to looking like something that should be petted, he was just so accessible and welcoming, a 6’2″ shaggy pooch. We drove to Fort deSoto, a beautiful undeveloped island near the mouth of Tampa Bay, and waded and bobbed around and got to know each other better, before heading back to the beach house and a yummy dinner with fish that my brother and brother-in-law snatched from the Gulf that morning. We watched the sun set, one of those spectacular pastel fiery blood orange Florida sunsets, as my family danced in the makeshift cabana/disco they set up behind us. Feigning tiredness, Mr. Roberts asked if it was okay if he could stay the night, so we pushed together the sofas and tried our dangdest to bridge the gap between the two couches, but my sister, brother, sister-in-law, niece and nephew kept coming in and out of the room. Like, all night. An exasperated Mr. Roberts breathed “Is your family name Kockblocker??” Somehow we ended up falling asleep, various limbs noiselessly entwined, our interaction unfortunately more Hardy Boys than X-Tube, the next day coming way too soon.

A Wedding in the Midwest

I spent a week in Moline and Chicago recently to attend the wedding of BC’s niece. And to help with the flowers, table settings, and then emergency wilted flower resuscitation. Everything came off splendidly—except the chicken, which I’ll get to in a bit—the bride swaddled in white, the groom surrounded by sexy 20-somethings, everybody dancing. I adore BC’s family, and their extended network of ex-husbands, childhood friends, and very sexually active octogenarian neighbors. It’s like stepping into a sitcom, every moment so filled with jolly repartee, bright bubbly guests, and hushed musings on So-n-so’s investment in African gold, brother What’s-his-face’s wife who hasn’t spoken to her husband in years yet still shares a bed with him, What’s-his-name’s squandering of his wife’s inheritance on the riverboat casino, the love child, the father who’s now a woman, the son without a father…

The chicken at the wedding was without a doubt the most challenging thing I’ve ever encountered in edible form. Overcooked, sauceless, characterless, flavorless and cold, accompanied by… what, I can’t even remember. Please, let me forget, but not without giving thanks to the brave chickens who gave of their breasts to our festive group mastication.

BC and I went out a few days before to dinner at the local steakhouse, accompanied by the bride’s mother and her current beau. The midwest is where you should always order steak. Mine was impossibly tender, like butter. I didn’t even need a knife. I completely ignored my dinner companions and made love to my New York strip, right there on the table, the juicy object of my ravenous appetite, slicing it into tinier and tinier mouth-watering morsels, hoping it wouldn’t end, licking my plate and knife as it disappeared forever.

Everybody in this area either works for, or has worked for, or their children will soon work for John Deere. Including BC’s stepdad, now retired, who took us on a private tour of the combine factory. We got to climb into a giant combine and were then driven through the plant in a golf cart and through the process of the combine’s creation. Most of the workers calmly pushed buttons that controlled machines that did the work that I had imagined the workers would be doing. The John Deere Company, with headquarters and factories and facilities all over the area, is hardly noticed, except that every other business is “John Deere” something or other. They’ve minimized their visual presence by integrating their buildings seamlessly, sensitively, and beautifully into the urban and rural landscape, as much a part of the community as the community is of it.

We got to see a wonderful show of chairs at the Figge Museum, “The Art of Seating,” including some of my faves—the Lavernes’ Lily Chair, Herbert Von Thaden’s Adjustable Lounge Chair, George Nelson’s Medium Arm Fiberglass Chair… I got in trouble for taking pictures. An attendant ran up three flights of stairs—perhaps she viewed me on some monitor somewhere, or someone alerted her to my violation via walkie-talkie—to breathlessly request that I please stop photographing the chairs.

After the wedding, we drove to Chicago to visit BC’s dad, who lives right around the corner from where the big Gay Pride parade was going on. We walked on over just as the parade was ending, wading through the one-foot deep mound of bottles and cups, and bumping into the drunken stumbling hooting half-naked proud homosexualists. I have never felt so old, so consciously not naked, or so far removed from anything resembling pride.

Dresses and Wild Dinners

BC and I headed over to the Legion of Honor with Dean this weekend to see Pulp Fashion: The Art of Isabelle de Borchgrave. What is it with San Francisco and dresses? A few weeks ago we went to the Balenciaga show at the deYoung. Cristóbal Balenciaga created dresses inspired by Spanish culture and history, elegantly reducing the trills and elaborations into simple beautifully flowing lines and curves. Using only paper, Borchgrave recreates dresses made by famous designers or found in historical and allegorical paintings. While Balenciaga mined the rich history of Spanish couture to create something new and elegant, for me Borchgrave’s creations fall short of being transformed into something really new, just time-consuming reproductions that make me long for the real thing.

ForageSF is a local group attempting to connect San Franciscans with the wild food around them. Saturday night they sponsored a dinner for about 80 of us, structured around the theme of the morel mushroom. The menu contained a beautiful etching of morels, erroneously identified as “le morilles,” improper in gender and quantity, which pretty much set the tone of the meal. While most dishes were carefully crafted, and did contain many interesting ingredients, the foraged components functioned more or less as garnishes, sometimes completely lost. There were 8 courses. The first course was a crostino brushed with fresh bay laurel leaf infused butter, a really wonderfully vibrant flavor. The last course was a serving of perfectly ripe strawberries, dusted with fennel pollen, drizzled with balsamic vinegar and garnished with crème fraiche, each ingredient vivid and distinct. The dishes in between included: a galette of nettles on soggy puff pastry; a wild onion soup with not enough morel flavor to register on my palate; fried smelt; musty duck and mushy risotto; a salad of delicate wild flowers completely obliterated by delicious vinegared beets and a tangy champagne vinaigrette; and yet another rice dish, but this one quite good, with mackerel, sea beans, a quail egg and ponzu. I applaud the ambitiousness of their venture, and it was amazing that they were able to feed us all in a South-of-Market warehouse space, but I think the dishes would have been more successful if the subtle flavors of the foraged ingredients were allowed to shine through.

Last night I dined at La Ciccia with Big Chris, Su-Chen, Emily and Dean, a Sardinian restaurant on 30th Street, spending about half what I spent with the foragers, and for a meal that was twice as good, simply perfection.  Every dish was loaded with flavor, the stewed octopus and calamari impossibly tender, the clams tasting of garlic and the sea, the different textures in the gnocchetti and pork ragu a delight on the tongue. Foragers, take note: let the ingredients do the talking.

A Birthday for Emily

Every year I look forward to Emily’s birthday. We almost always go to some fabulous new restaurant, and this year she chose Saison, a New American restaurant in the Mission. Big Chrissy, Emily and I were joined by buddies Scott and David. Scott and David are an adorable couple, together so long that they talk, dress and look alike, with only slightly discernible differences in demeanor. The meal lasted nearly 4 hours, with more than 10 courses, each course a handcrafted work of edible art. All of the ingredients are foraged or grown locally. We ate flowers, oysters, rabbit, a custard infused with smoked salmon roe, sea urchin, abalone, prawns, foams of every sort, fried lettuces, a pecorino brioche… so many flavors and textures, and for our final course, popcorn ice cream. It was certainly one of the most memorable meals of my life.

Fried Green Tomatoes at the Whistle Stop Cafe

Last week I visited my parents and childhood chums in Alabama. I spent one of my first nights with my high school buddy James, sipping cocktails and munching on really the best fried green tomatoes of my life at The Club, atop Red Mountain, a swanky private club where Frank and Sammy probably would have hung out if the Rat Pack ever swung through Dixie. Built in the early 1950s, the streamlined curvilinear architecture provides panoramic views of the city, and several dancing, drinking, and dining opportunities, depending on what you’re wearing. We were the guests of James’ friends Barbara and Anneta, two really fun midwestern transplants who share a home with 5 lady dogs. James and his boyfriend have 6 dogs of their own. They all share such a strong bond, I foresee some sort of Brady Bunch union in their future, the 11 dogs and 4 parents cohabitating in a zany suburban household and exploring contemporary issues of gender and cross-breeding.

My mom and Dad took me to the Birmingham Museum of Art the next day, for a stunning display of quilts, and another fantastic show of African pottery and iron work. We stopped by the Aldridge Botanical Gardens afterwards to see the snowflake hydrangeas, discovered and patented by the former owner of the estate, Eddie Aldridge. It’s not often that you get to see snow in Alabama, and these blooms were like an early summer blizzard. My junior high buddy Susan swept me away that night to the Irondale Cafe, the real-life inspiration for Fannie Flagg’s Whistle Stop Cafe. I don’t think I’ve ever so thoroughly enjoyed such thoroughly fattening fare. Susan drove me through the devastation caused by the recent tornadoes that swept through the area. A giant tree fell smack dab in the middle of her daughter’s trailer, who fortunately had earlier sought shelter elsewhere with her husband and newborn. Enormous trees, snapped like twigs.

Saturday James and I took a drive down the Alabama Wine Trail. We visited only three wineries, but there seemed to be a consistent theme of sweetness running through the wines. Not cloying or subtle, but syrupy, lip-puckeringly sweet. The first place we stopped at, Vizzini Farms Winery, in North Calera, featured several “dry style” wines. I asked if the iron-rich southern soil and hot humid climate imparted any particular flavor into their wines. Asking each successive winemaker the same question, I received only blank stares. Terroir doesn’t seem to be much of a concern. Ozan Winery in Calera was the most beautiful, the tasting room atop a hill overlooking the vineyards, with grapes that are actually used in their wines, which we sampled in plastic cups. They make wines with not only the southeast native muscadine and scuppermong grapes, but also with local peaches and other fruit. By the time we got to Morgan Creek vineyards in Harpersville, I gave up on seeking out the essence of place and climate contained in the grapes, and slurped down their undated treacly concoctions, which seemed just the right thing in that hot Alabama sun.

While on the Wine Trail, we stopped for lunch at Pa Paw’s Restaurant, a meat-n-3 in Columbiana. I had the finger-lickingly delicious fried chicken with sides of field peas, mac-n-cheese, turnip greens and corn bread. After the wineries, we headed to deSoto Caverns. Outside, the cicadas chirped hysterically. The cicadas of the southeast materialize only every 13 years, emerging from the earth in the millions. After their 13 year adolescence underground, they shed their shells, and then enjoy six weeks of adulthood, screeching and mating and laying eggs. The cave had been a speakeasy briefly in the 20s, and a former indian burial site. After turning off the lights at one point, and leaving us in absolute and scary darkness, we were dazzled by a laser and spurting water display about the creation of the universe—the 7 day theory—ending with this broadway marquis style glittering crucifix glowing on the wall. A sacred indian burial chamber named after the destroyer of their culture, now a Christian propaganda theme park. Only in Alabama.

The Roman Spring of Coco Poofter

Bob, Reese, Jocelyn and I have returned from two weeks in Rome. It was the perfect time to be there, warm, everything in bloom, not yet crowded. Bob and I frequently traveled there when we were together, and this was our first trip back, indeed our first trip anywhere since our breakup in 2003. We all worked together as a team: I the documenter; Jocelyn the navigator; Bob the cook; and Reese… well, the teenager.

Much has changed since my last visit, including a major cleanup of all the monuments, a reorganization of the national museums, and some new museums for contemporary art, including Zaha Hadid’s MAXXI. The food was exactly the same, consistently amazing. Even a simple dish like rigatoni cacio e pepe brought tears to my eyes. Highlights were the sculptures of antiquity fabulously exhibited in a former power station, the Museo Centrale Montemartini; a day in the country of the Sabine women, eating lavishly of the bounty of the surrounding countryside—prosciutto and pecorino, artichoke fettuccine, cicoria, grilled bunny, house-made wine; the hilltop town of Montopoli; the 7th century Benedictine abbey of Farfa; gelato at Giolitti; Bernini and Borromini’s staircases and Pietro da Cortona’s ceiling fresco cycle at the Palazzo Barberini; carciofi alla giudia; fiori di zucca fritti; the Caravaggios all over town…

I revisited my old favorites: Bernini’s slyly subversive Apollo and Daphne at the Galleria Borghese, Daphne’s twig gently brushing between Apollo’s legs; Stefano Maderno’s tender and brutal Martyrdom of Saint Cecilia at Santa Cecilia in Trastevere; Bernini’s orgasmic Saint Teresa in Ecstasy at Santa Maria della Vittoria; Raphael’s brilliant frescoes in the Villa Farnesina and his proprietary la Fornarina at Palazzo Barberini; all of those humpy river gods and my guys Hadrian, Silenus and Hercules, all over town; the mosaics, 1st century BC frescoes from Livia’s Villa and the poignant hellenistic bronze Boxer of Quirinal at Palazzo Massimo alle Terme; the delighful turtle fountain in the Piazza Mattei…

It’s very hard to come back home to houses that are less than 500 years old and public sculpture that wasn’t created around Augustus’ time, but I’m settling back in. I’ve recreated most of the dishes I ate there, including the previously-mentioned rigatoni cacio e pepe, asparagus leek risotto, bucatini all’Amatriciana, artichoke fettucine, but I haven’t been able to find fresh squash blossoms in the corner store like I could in Rome.

Lunch with the Shepherds

If you’re driving to Los Angeles from San Francisco and want to stop somewhere along the way for lunch, there is no more tummy-pleasing a destination than the Wool Grower’s Hotel Restaurant in Los Baños. Big Chrissy and I undertook a recent lunch expedition to this comforting Basque bastion of gustatory gratification. You go in, sit down, and they start bringing all this food to you, plate after plate. And a half-bottle of their housemade wine. A simple and crisp tossed green salad, white beans, vegetable soup, lamb stew… these are all just set in front of you. You do have to decide what kind of animal you’d like as your main course: beef, chicken, pork or lamb. A ridiculously huge portion, then rice, fries… and a little dollop of ice cream to finish it off. Everybody pays the same price, everybody goes away happy and unbuttoning that bottom button and loosening the belt a notch or two. It’s not just about the quantity and variety of plates, it really feels homey, real food, just like what maman used to make.

New York: Friday

Yesterday I and Big Chrissy dejeunered with Davide at Gobo, a very veggie eatery on 6th Avenue.  Davide’s looking great, with the coolest glasses, but I wish his strict fashion sense would expand to include something warmer for this weather.  I shivered looking at him in his handsomely tailored feather-weight overshirt—that is, looking at him through my scarf- and muff-wrapped head.  We saw the Coens’ True Grit after lunch, a perfect Christmas family retribution film.  I think I enjoyed their version more than the Henry Hathaway version, although Kim Darby still holds a special tiny place in my heart.

After the film, we walked over to Vaselka’s, in the lower east side.  BC and I had a traditional Ukranian Christmas eve dinner—12 courses, one for each apostle.  By the time I got to Thaddeus and Bartholomew, my tummy was singing a Ukranian folk hymn of blessed contentment.

Makropulos, Clomiphene, and San Francisco’s Finest

Dean W and I saw Leoš Janáček’s The Makropulos Case last week at the SF Opera.  It’s a stunning opera—visually, conceptually and musically—about the meaninglessness of a life without end, without enduring love.

This weekend I went a-gallery-hopping with Emily and Big Chrissy.  Nothing really exciting, except for a fascinating show by Ishan Clemenco at NOMA Gallery of chalk drawings on light filters and film.  Ephemeral and delicate, their existence impossible to imagine outside of the show—just for us.  Oh, and Bruno Fazzolari’s show at Jancar Jones, a small grouping of paintings with colorful squiggly gestures and jiggly lines that almost coalesce into something recognizable, and a perfume that when sprayed at Emily, coalesced into too much association.  And stayed with us the rest of the afternoon.  Bravo, what a great show.

Earlier in the day, I was told by my then current paramour that he was feeling depressed.  I promised to return as soon as I could to check in on him, and that we would have the evening to spend together to get to what was going on.  After galleries, I ran up to his place to check in on him, and in his place found used condoms and condom wrappers scattered about.  Actually, they weren’t scattered about—not by him, anyway, and not to begin with—they were in the trash, which I had dumped out on the floor before tossing them onto his bed.  Then I called and left a message on his voicemail, an angry but concise admonition saying I looked forward to hearing about the DNA I had just encountered.  See you at 6, honey.

I went on to Chris J’s 70th birthday party, with Big Chrissy and my sister, June.  Chris lives in an environment that seems dreamed up by Armistead Maupin.  From a south-of-Market alley, you pass through a low-ceilinged walkway into a lush garden, with overgrown tropical plants and a giant redwood tree, a koi pond and bridge, antique asian garden ornamentation, lanterns, and oversized mirrors that extend the garden into impossible space.  Hovering over one side of the garden, above the entryway, is a quaint little Victorian cottage.  To the left is a showroom featuring asian and european antiques.  The showroom is a cavernous space, a giant fireplace on one side, flanked by 2nd floor balconies overlooking the main gallery, packed with polychromed crucifixes from 16th century Genoa, antique phalluses, masks, japanese pottery…  Chris lives in an apartment adjacent to the main gallery, stylishly decorated to match the asian sensibility on display next door.  A magical space.  I mingled with the glamoratti of the San Francisco landscaping world, as well as old buddies that I hadn’t seen in decades, all of us middle-aged and beyond, and looking it with our graying whiskers and expanding waistlines.  Except for Michael Brown, who looks exactly like he did when we tossed dough at Marcello’s Pizza 25 years ago.

When I got home, he was there, my depressed paramour, in my bed. He claimed that he didn’t know how the condoms got there. The used condoms in his studio apartment.  Where he lives alone. We’d been through this before, so I calmly, no, hysterically and yes, okay, histrionically, asked him to leave, that I’d finally had enough.  Get out. I left the bedroom to cool off and when I came back he was in the kitchen, trying to cut his wrists with the wrong side of the knife.  I rolled my eyes and asked for the knife.

“I took your Vicodin,” he said.

Where? How many? I had a prescription that my oral surgeon gave me last week following a wisdom tooth removal. I checked them, they seemed all there.

“Oh, is that your Vicodin? I took something from the cabinet.” I went to the cabinet and noticed the empty bottle.  You took my Clomiphene??  Do you know how expensive that is?  How many?

“7. What’s Clomiphene?”

I ignored the question.  I don’t know if that’s a lethal dose, I have to call 911.  I called.  “What’s Clomiphene?”  the operator asked.

It’s a fertility treatment for women.

“Do you have a roommate who wants to get pregnant?”

No, it’s mine.  I use it because my testosterone level was low.

“A fertility treatment for women?  What does this have to do with your testosterone level?”

It works this way in men, increasing their testosterone level.

“Oh, that’s great.  We’re sending someone out immediately.  Is he suicidal?”

Are you suicidal?

“No, I just want to sleep.”

No, he says he was just trying to sleep, but earlier he was depressed and then I went to his house and found these used condoms and confronted him about them.  I think he’s been cheating on me.

“I’d say you’re probably right.  Well, the paramedics will be there any minute.  Stay with me, let know if he looks drowsy.”  There was a knock at the door.  6 police officers came up the stairs. 6 incredibly handsome burly pink-faced men in black.

“What’s the problem?”

I batted my eyes. He took an overdose of Clomiphene. I pointed at  him.

“What’s Clomiphene?”

It’s a fertility treatment for women, induces ovulation.

“Why did he take it?”

He thought it was Vicodin.

“Why do you have it?”

My testosterone level was low, it stimulates testosterone production in men, even though it wasn’t designed to do this.  My doctor is at the forefront of studying this drug’s effect on testosterone levels.

“How is that working for you?”

Fine, thanks.  I blushed.  The paramedics then arrived, 6 more guys in my little bedroom.  6 more handsome burly lifesavers. “What’s going on?  What did he take?” one of them asked.

He took 7 Clomiphene.

“What’s Clomiphene?”

“Evidently, it induces ovulation in women,” the first police officer replied.

“Who does it belong to?”

“Him.”  All 12 guys looked at me.  Before they opened their mouths to ask, I blurted, It also increases the production of testosterone in men.  My testosterone level was low.  It’s an alternative to taking testosterone shots, inducing the body to produce it naturally.  But could we really stop talking about my testosterone level?  Is he going to die?  Do you have to pump his stomach?

“That’s so interesting,” one paramedic said, “I haven’t heard of Clomiphene being used for low testosterone levels.”

“Yea,” said another.  A third cleared his throat, then turned to my suicidal bed guest.  “Are you suicidal?”

“No, I just want to sleep.”

Earlier he was depressed and then I went to his house and found these used condoms and confronted him about them.  I think he’s been cheating on me.

“I’d say that’s a good guess,” he snickered at me under his breath.  Turning to the furry little man who was supposed to love me and only me forever, he said “Okay, let’s get you to the hospital.”

And away they went.

Hibiki and Happiness

Dean Smith and I saw Sankai Juku at YBCA yesterday, performing Hibiki: Resonances From Far Away. Sankai Juku is a butoh performance group from Japan, their movements characterized by highly stylized articulated intensity, accompanied by music of such beautiful complexity and a cloud of powder as they move about the stage. They’re like Baroque Martians.

After, we strolled along the Embarcadero and settled down at Plant for organic veggie burgers and martinis, then onto the CocoPlex for Todd Solondz’ Happiness. Rape, pedophilia, suicide, dirty phone calls and a dead body in the freezer—ah, the perfect end to a perfect day.