New York: Monday to Wednesday

I’m still in New York, still freezing.  Big Chrissy and I saw an interesting show at the Guggenheim, Chaos and Classicism, focusing on european art between the World Wars.  Pictured above is Renato Bertelli’s Profilo Continuo del Duce (1933), a dazzling futurist portrait of Mussolini included in the show.

Manet’s Devant la Glace, (1876) was also on display at the Guggenheim, a vigorously painted portrait of a woman at a mirror, her back to us, a private scene of observation.  The tension between surface and subject is heightened by our own position of surveillance.  First Picasso’s women, and then John Currin’s at Gagosian continued our engagement with the female form, the latter like viewing a pornographic Saturday Evening Post.

Moving on to the male form, we stopped by the Tibor de Nagy Gallery for the Jess, Joe Brainard, and John O’Reilly show.  While each artist utilized collage to create works of tender sensuality, John O’Reilly’s layered and sliced imagery haunted me the most, sublime juxtapositions of sexual, erotic and aesthetic experience.

At the Music Box on Tuesday night, we saw La Bête, a satire set in the 17th century, with Joanna Lumley in her Broadway debut—and boy does she make an entrance, in a billowy shower of gold.  The play is presented entirely in rhymed verse, whimsically and cleverly illustrating the triumph of mediocrity over quality.

The next day we stepped back another century for Jan Gossart at the Met, and forward again for a fabulous restored Velasquez portrait of Philip IV.

New York

I’m in New York, though the 28th. New York, New York. With Big Chrissy. It is cold. Like, how do people survive outside a Mediterranean climate? It’s like another planet here. So far we’ve seen Laura Linney and Christina Ricci (in her broadway debut!) in Time Stands Still, and Paul Reubens’ The Pee Wee Herman Show with most of the original cast. Pee Wee started the show by asking us all to stand and face the flag and recite the Pledge of Allegiance. The production is a distillation of his 80s Saturday morning TV show, with a few added references to his penal experience. What a fantastic show. I remember when I was a kid, trying so hard to get into Sesame Street, desperately analyzing Zoom! for the slightest hint of something that spoke to me and my experience… but it wasn’t until my first years of college and Pee Wee’s Playhouse that I finally found the show that I longed for as a child. There’s no disjunction between childhood and adulthood, adolescence is conveniently set aside. Miss Yvonne is still the most beautiful woman in Puppetland, and Jambi finally got hands to do what he’d been wanting to do all those years.

Tomorrow it’s the Guggenheim, then Jess, Joe Brainard, and John O’Reilly at Tibor de Nagy. Stay tuned…

Makropulos, Clomiphene, and San Francisco’s Finest

Dean W and I saw Leoš Janáček’s The Makropulos Case last week at the SF Opera.  It’s a stunning opera—visually, conceptually and musically—about the meaninglessness of a life without end, without enduring love.

This weekend I went a-gallery-hopping with Emily and Big Chrissy.  Nothing really exciting, except for a fascinating show by Ishan Clemenco at NOMA Gallery of chalk drawings on light filters and film.  Ephemeral and delicate, their existence impossible to imagine outside of the show—just for us.  Oh, and Bruno Fazzolari’s show at Jancar Jones, a small grouping of paintings with colorful squiggly gestures and jiggly lines that almost coalesce into something recognizable, and a perfume that when sprayed at Emily, coalesced into too much association.  And stayed with us the rest of the afternoon.  Bravo, what a great show.

Earlier in the day, I was told by my then current paramour that he was feeling depressed.  I promised to return as soon as I could to check in on him, and that we would have the evening to spend together to get to what was going on.  After galleries, I ran up to his place to check in on him, and in his place found used condoms and condom wrappers scattered about.  Actually, they weren’t scattered about—not by him, anyway, and not to begin with—they were in the trash, which I had dumped out on the floor before tossing them onto his bed.  Then I called and left a message on his voicemail, an angry but concise admonition saying I looked forward to hearing about the DNA I had just encountered.  See you at 6, honey.

I went on to Chris J’s 70th birthday party, with Big Chrissy and my sister, June.  Chris lives in an environment that seems dreamed up by Armistead Maupin.  From a south-of-Market alley, you pass through a low-ceilinged walkway into a lush garden, with overgrown tropical plants and a giant redwood tree, a koi pond and bridge, antique asian garden ornamentation, lanterns, and oversized mirrors that extend the garden into impossible space.  Hovering over one side of the garden, above the entryway, is a quaint little Victorian cottage.  To the left is a showroom featuring asian and european antiques.  The showroom is a cavernous space, a giant fireplace on one side, flanked by 2nd floor balconies overlooking the main gallery, packed with polychromed crucifixes from 16th century Genoa, antique phalluses, masks, japanese pottery…  Chris lives in an apartment adjacent to the main gallery, stylishly decorated to match the asian sensibility on display next door.  A magical space.  I mingled with the glamoratti of the San Francisco landscaping world, as well as old buddies that I hadn’t seen in decades, all of us middle-aged and beyond, and looking it with our graying whiskers and expanding waistlines.  Except for Michael Brown, who looks exactly like he did when we tossed dough at Marcello’s Pizza 25 years ago.

When I got home, he was there, my depressed paramour, in my bed. He claimed that he didn’t know how the condoms got there. The used condoms in his studio apartment.  Where he lives alone. We’d been through this before, so I calmly, no, hysterically and yes, okay, histrionically, asked him to leave, that I’d finally had enough.  Get out. I left the bedroom to cool off and when I came back he was in the kitchen, trying to cut his wrists with the wrong side of the knife.  I rolled my eyes and asked for the knife.

“I took your Vicodin,” he said.

Where? How many? I had a prescription that my oral surgeon gave me last week following a wisdom tooth removal. I checked them, they seemed all there.

“Oh, is that your Vicodin? I took something from the cabinet.” I went to the cabinet and noticed the empty bottle.  You took my Clomiphene??  Do you know how expensive that is?  How many?

“7. What’s Clomiphene?”

I ignored the question.  I don’t know if that’s a lethal dose, I have to call 911.  I called.  “What’s Clomiphene?”  the operator asked.

It’s a fertility treatment for women.

“Do you have a roommate who wants to get pregnant?”

No, it’s mine.  I use it because my testosterone level was low.

“A fertility treatment for women?  What does this have to do with your testosterone level?”

It works this way in men, increasing their testosterone level.

“Oh, that’s great.  We’re sending someone out immediately.  Is he suicidal?”

Are you suicidal?

“No, I just want to sleep.”

No, he says he was just trying to sleep, but earlier he was depressed and then I went to his house and found these used condoms and confronted him about them.  I think he’s been cheating on me.

“I’d say you’re probably right.  Well, the paramedics will be there any minute.  Stay with me, let know if he looks drowsy.”  There was a knock at the door.  6 police officers came up the stairs. 6 incredibly handsome burly pink-faced men in black.

“What’s the problem?”

I batted my eyes. He took an overdose of Clomiphene. I pointed at  him.

“What’s Clomiphene?”

It’s a fertility treatment for women, induces ovulation.

“Why did he take it?”

He thought it was Vicodin.

“Why do you have it?”

My testosterone level was low, it stimulates testosterone production in men, even though it wasn’t designed to do this.  My doctor is at the forefront of studying this drug’s effect on testosterone levels.

“How is that working for you?”

Fine, thanks.  I blushed.  The paramedics then arrived, 6 more guys in my little bedroom.  6 more handsome burly lifesavers. “What’s going on?  What did he take?” one of them asked.

He took 7 Clomiphene.

“What’s Clomiphene?”

“Evidently, it induces ovulation in women,” the first police officer replied.

“Who does it belong to?”

“Him.”  All 12 guys looked at me.  Before they opened their mouths to ask, I blurted, It also increases the production of testosterone in men.  My testosterone level was low.  It’s an alternative to taking testosterone shots, inducing the body to produce it naturally.  But could we really stop talking about my testosterone level?  Is he going to die?  Do you have to pump his stomach?

“That’s so interesting,” one paramedic said, “I haven’t heard of Clomiphene being used for low testosterone levels.”

“Yea,” said another.  A third cleared his throat, then turned to my suicidal bed guest.  “Are you suicidal?”

“No, I just want to sleep.”

Earlier he was depressed and then I went to his house and found these used condoms and confronted him about them.  I think he’s been cheating on me.

“I’d say that’s a good guess,” he snickered at me under his breath.  Turning to the furry little man who was supposed to love me and only me forever, he said “Okay, let’s get you to the hospital.”

And away they went.

Hibiki and Happiness

Dean Smith and I saw Sankai Juku at YBCA yesterday, performing Hibiki: Resonances From Far Away. Sankai Juku is a butoh performance group from Japan, their movements characterized by highly stylized articulated intensity, accompanied by music of such beautiful complexity and a cloud of powder as they move about the stage. They’re like Baroque Martians.

After, we strolled along the Embarcadero and settled down at Plant for organic veggie burgers and martinis, then onto the CocoPlex for Todd Solondz’ Happiness. Rape, pedophilia, suicide, dirty phone calls and a dead body in the freezer—ah, the perfect end to a perfect day.

Birthday bellies

Emily and the boys took me to Nick’s Cove in Marshall, for a birthday lunch–the first of my birthday week activities. The food was delectable, the oysters succulent, and our server a thrilling caricature of the gay waiter. I half expected a laugh track after each of his booming bons-mots. He picked lint off of my sleeveless sweater.  We took a small hike through Point Reyes afterwards, to walk off our oyster bellies.

On to the next event…

Big Dave

My friend, Big Dave in Australia just died. He was very big. Big hearted, big jolly pink cheeks… Big Chrissy and I visited him and Little Dave a few years back. I remember driving around Sydney and Big Dave pointing out all the “famous beats,” or public places where he had had sex. “What’s the largest number of guys you’ve had sex with at any one time?”

Stunned, I could only think of my tragic affair with D, of excitedly coupling with Bob a few hours after being so masterfully manipulated by D’s powers of arousal, of how I’d hurt Bob… “2,” I said with a tear in my eye.

“I had 13 blokes in one night,” he said, “13.”

He wore his excess weight like a tight little black dress, I was in awe of his sexual radiance and allure. When he and Little Dave came to town, it was like a carnal cyclone hit the city, everyone in their path devoured by the venereal tempest. Big Dave would take us to some fabulous old church, or an old Masonic temple hall and play Bach on their pipe organs, a private concert just for us. He loved the Queen and the idea of monarchy, and often referred to us (in the States) as turncoats. I loved him, and his big spirit. Bye bye Big Dave.

Down for the count

I told my Foreign Correspondent last night that I needed to not hear from him for a while. What I would be hearing right now is all about his exploits with other members of his sub-species who share a need for a kind of physical interaction devoid of any kind of emotional entanglements—the kinds of entanglements that were the basis of our relationship. I don’t want to hear about it.

I haven’t written about this past year yet, as it’s been a bumpy one. I guess I should start filling you in by saying that we finally broke up, as breaking up seemed the only direction this relationship ever seemed headed in. “Separated” is how we’re defining it. I told him that we should spend some time seeing other people, learning about ourselves… when really, I just wanted to set him free to openly do all the things that he had already been doing behind my back, and to separate myself from it.

He’s been a pretty clumsy fabricator, so when he finally confessed to all of his indiscretions, he was merely confirming what I knew already but hadn’t been able to squeeze out of him. There was a simultaneous sense of release—I wasn’t crazy for assuming that the condoms on the floor weren’t part of some complicated home theatrical production after all!—and a great sense of failure.

I’m not mad at him, as I don’t think he did anything that isn’t in his nature. I suppose I’m a little disappointed in myself, for not embracing it, and for trying to impose something on him that his actions didn’t support. I thought I could sway him towards monogamy, toward something he claimed to desire. In the end, my siren’s song fell on plugged ears. His nature punched my nature in the face, and I don’t know how long it’ll be before I’m up and ready for more.

Coco Does Vegas

Las Vegas was wild—it’s like there’s no refinement, anywhere. Everything is pumped up, overpriced, and vulgar. I had so much fun! Big Chris and I paid homage to Liberace at the Liberace Museum, took a bus out to the Hoover Dam, and experienced a simulated thermonuclear explosion at the Nuclear Testing Museum. The Bellagio Fountain was pretty wonderful, streams of water spurting and dancing to different tunes throughout the day. I was actually moved to tears, almost, by Sarah Brightman and Andrea Bocelli’s duet.

The devoted older lady fan-guides at the Liberace Museum seem to know everything about Liberace, from his guest appearances on Batman to the palimony suite brought against him by his former chauffeur lover.

At the Hoover Dam…

We stayed at the Paris Hotel, where all the French seemed to be misspelled.

I was most intrigued by the architecture and the chocolate of Las Vegas. Each utilized the scale, grandeur and whimsy of the casinos, but engaged with new forms and sensation, instead of kitschy pastiche.

Fabulous abjection

Michelle Rollman and Scott McLeod stopped by yesterday to deliver one of Michelle’s artworks from the 90s. During that time, Michelle produced a remarkable series of storybook stuffed animals: velveteen rabbits in stocks, dunce caps; in bondage; often anatomically correct in particular areas… fabulously, lusciously abject.