Katy, Rosie, and Ann

How sad to hear that Katy Jurado and Rosemary Clooney died this week. But cheer up San Francisco, Ann Miller (!!!) is going to be at the Castro this month to introduce a screening of Kiss Me Kate in 3D!!! Oh my God! I mean, oh my ANN MILLER!! She is truly a screen goddess, descending into my little neighborhood to be worshiped by her faithful and adoring homo followers.

And her dog’s name is COCO!…

Modern man is not for me,
the movie star and dapper Dan,
give me the healthy Joe from ages ago,
a prehistoric man.

And we have the same taste in men!

Monday

Last night sitting in my garden, a ladybug crawled up my shirt. I gently placed him on my plum tree, where there was much to feast on in the way of aphid entrees. I saw at least two other ladybugs. If this were ancient Egypt, I would have built a monument to them. So happy to see them return.

It’s a beautiful day in San Francisco today.

Kind of Blah After the PRIDE Thingy

Big Chrissy and I made it to the gay parade today. It’s been several years since I’ve attended the festivities, and usually the experience is fairly consistent year after year, but it seemed really different this time. I think that the idea of a gay movement doesn’t mean that much to anyone anymore. In the mid 80’s and 90’s, when everyone I knew was dying and the community was so united in protecting and helping each other, the parade had meaning. We were united and we were going to survive, and we were going to have a lot of fun, too. All of the sudden it seems, there’s no more urgency, we’re just proud. I see the gay community now disintegrating into little pockets of sexual preferences and single colors on flags. Proud to be a bear or a twinkie or a dyke or a femme or a leather daddy, etc… There’s even a community and support network for guys who don’t wear underwear. Free-ballers. Nancy Sinatra and Ian McKellan rode by in their convertibles and everybody roared, and they were pretty fabulous to see, but there was Harry Hay, the founder of the gay movement, and no one even recognized him. History is just history now. We aren’t making it anymore, there’s nothing to fight for. When a pro-Palestinian contingent passed, the crowd around me starting booing them. One guy angrily yelled “Why aren’t you carrying an American flag?” My gay brothers and sisters could no longer identify with or support the other. And they were proud of it.

Sure there’s still prejudice and discrimination against gays, but we’re an economic force with GAP ads.

Pride

I just took a little walk down the street, into the chaos that’s developing on Castro. Scantily clad go-go boys in the window of All American Boy gyrating and beckoning to the passers-by, a gaggle of leather clad daddies in front of Daddy’s, dancing bears—and me shopping for DVD’s at Tower. I can’t remember exactly when the term “pride” came to encompass the entire celebration and activity surrounding the anniversary of the Stonewall riots, but I miss going to the “Gay Parade.” That’s what it was when I first moved out here in 1984, actually, it was called the “International Lesbian and Gay Freedom Day Parade.” Freedom meant something to me then, coming from Pinson, Alabama, where you didn’t walk down the street with your boyfriend in bottomless chaps. In my first parade I was surrounded by hundreds of thousands of people who were so much weirder than I, dressed outrageously, having so much fun, being themselves, and feeling free. We could be ourselves and celebrate our differences, and feel safe and loved and welcomed.

At a parade with Manny one year, he suddenly leaped into the street and joined a flag corps at the tail end of the parade, grabbing the lavender flag from a much-bemused carrier. He waved that flag and danced in the street and kicked up his heels and laughed and sang. It was beautiful, to see him so free and happy, almost delirious. And in the middle of Market Street. At that moment I thought that there was no way that a soul like that could ever be repressed. Or die.

I’m not particularly “proud” to be gay. I’m proud of how I’ve helped raise my stepson, of what I’ve given to the art community, of how I care about other people, of how I’ve eased the suffering of my friends who’ve died. I’m not proud to be different, I’m just awfully glad.

Handel’s Giulio Cesare

Well, I made it to the opera after all. Bob and I stood around outside the opera house with our little sign that said “We need 2 tickets,” along with several other inhospitable-looking characters waving money, intent on re-selling whatever tickets they picked up. Just as the doors were closing, and perhaps because we weren’t wearing blankets like the rest of the people looking to buy tickets, a cute guy walked up to us, handed us two orchestra tickets and said, “My plans have changed, enjoy the show.” !! So we got in, free excellent seats to Handel’s Giulio Cesare. The opera had several counter-tenors, including David Daniels as Cesare, which was a bit jarring at first hearing that high-pitched voice coming out of that big hairy body. Ruth Ann Swenson played Cleopatra, and their pairing made a really hot combo, with all sorts of trills and flourishes. There were even two humpy bald buttboys who pawed at and slithered around Tolomeo, as Cleopatra speculated, while gesturing at the buttboys, that perhaps he’d be luckier at love than with politics–it was very San Francisco. The extreme ornamentation in the music was carried through in the set and costume design–a baroque version of Egypt. Okay, I’d better get to sleep. Nighty night.

More Good Victuals

Long lunch with Arnie today at Chez Papa, an excellent new French restaurant on Portrero Hill. I had the potato, artichoke, asparagus salad w/bacon and whole-seed mustard vinaigrette, the halibut with fennel, onion and olive oil, and for dessert we shared the tart tatin and the chocolate souffle. Completely delicious, and excellent service. All of the waiters are crazy about the food, and their enthusiasm makes the experience even more enjoyable. Arnie chose the wine, which was great, but by the time I thought of looking at the bottle, I couldn’t really focus that well, so who knows what it was. I’m supposed to go see a Handel opera tonight, but I don’t know if I can stay awake. I was up really late last night with Stanley and Giuliano, dear old friends of Bob, and another great meal (bruschetta with liver pate, flavored with sage and anchovies [!], asparagus again, wild mushroom risotto, and blackberries for dessert). Stanley is a playwright. He wrote a wonderful play called The Chinese Art of Placement, that was produced here a few years ago, a hilarious and wacky play involving a single actor and a single chair. The central character, well, the only character, Sparky Litman, ruminates on the events leading to his current delusions of normalcy as he telephones past and present acquaintances to invite them to help him celebrate, all the while trying to find the perfect placement for the chair and the meaning behind it, and everything else. Giuliano owns a place in Guerneville up the hill from my house there, a cool old mobile home from the 50’s that he’s been trying to replace for as long as I’ve know him. Tomorrow I photograph Chris for the next few pieces in my Thundercrack! series. I’m itching to get to work…

The Report on Minority Report

I actually enjoyed a Steven Spielberg movie tonight. His films have definitely improved since the degree. Actually, I decided to just give in and get taken for that same rollercoaster ride, but to stop expecting so much, like intellectual rigor or intense social analysis, and just enjoy being dazzled and manipulated. Plus it was on the IMAX screen. The effects were just stunning, really stunning. At the beginning of the film, during the 20 minutes or so of exposition necessary to tell us everything with words that he had just shown us with images, he accompanies the action with classical music and I couldn’t help but think of Kubrick, the genius of Kubrick’s use of music in, well, in all of his films, but particularly in 2001, where the images are given depth and impact by the choice of music. Spielberg’s vision is that of Capra without a convincing myth and Ford without existential grandeur.

But thumbs up.

Buried Child

I saw a production of Sam Shepard’s Buried Child tonight at ACT. I love Shepard’s use of the American voice, well, the mid-western American voice. The principal family members were mostly detached, or insane, and watching the outsider girlfriend try to get their attention was like watching a dream, the kind of dream where nobody does what you want and they keep repeating the things that frustrate you over and over again with no forward momentum? Ultimately, the climax, or secret that the family had been sitting on, proved not as interesting to me as the way the characters related to each other, or didn’t relate to each other, and the marks left on the family by their complicity in and denial of the secret. I’m fascinated by the bonds of family, and how people who ordinarily wouldn’t even chat with each other end up living together for decades, oddly tolerant of and even blind to schizophrenic and sociopathic behavior.